陈珍舜讲述了:新男孩在1940年代的澳大利亚,一个9岁的土著孤儿在深夜来到一个偏远的修道院,该修道院由一个叛逆的修女(凯特·布兰切特饰)经营。在这个关于精神斗争和生存代价的故事中,他的出现扰乱了这个微妙平衡的世界。
回复 林白珊 :借钱NewcoupleNa-niandJoon-seoleftthestuffySeoultotryandstartacafeinthecountryside.Behindthecouple'sattempttochange,theyhadsomeunspeakableworries,sotheyweresexlesspeoplewhousedtheirownroomsbecausetheywerenotsexuallycompatible.Regardlessofherhusband'sxiaokan.cceffortstoestablisharelationship,herwifeNa-nihaslongbeenonanextramaritalaffairwithhersexpartnerDal-ho,whohasbeenembroiledinahit-and-runaccidentthatsheneverthoughtofenjoyingsexoutdoorsandisaskedforalargesettlement.Na-ni,whohasbeenrelyingonherhusband'sfinancialresourcessincebeforemarriage,kneelsdowntohisvictimChang-sooandpleadsformercy,butChang-soo,afarmer,persistentlydigsintoherweaknessesanddemandshumiliatingphysicalrelationships.WhileNa-niisfallingintoarutforthecreationofaruralvillage,herhusband,Joon-seo,whohasbeencomplainingabouthisnervouswifeNa-nithesedays,isalsobeginningtoopenhiseyestoheruniquesexualorientationduetothecharmofyoung,provocativepart-timerCheong-ah.WhatistheidentityofChang-sooandCheong-ah,thefarmerswhoaresqueezingthesecouples,andthefateofthosewhoareentangledlikewebs?
回复 金喜火 :洗脑影像:性、镜头和权力本片通过1896-2020年的80多部电影的影像片段,研究了电影镜头设计的政治性,以及这些元电影是如何与性虐待/侵犯和对女性的就业歧视这两种现象的猖獗有所挂钩的。