黄丽易
回复 邓仪绍 :大清后宫Star,asuicidalteennowtoooldforfostercare,developsacandidrapportwithAn,astudentfromShanghaiwhoisassignedtowatchherwhilesheisinhospital.Anightlyexchangeofsecrets,textmessagesandpossessionsquicklyexpandstheboundariesoftheirrelationship,alteringtheirinnerchemistry.Gildedbyasoundscapethatinterweavesworkbyemergingandpioneeringelectronicmusicians,QueensoftheQingDynastyisanoffbeatodetoneurodiversityandgenderqueerindividualswhorefusetoconform.DirectorAshleyMcKenzie’sblendofformalismandgrittyrealismdoesnotfailtosurpriseandtreatstheaudiencetoflashesofvisualandconceptualpoetry.Hercastisentirelycomposedoffirst-timeactorswhoconvincinglyconveyhowuniqueeveryindividualis,bothinhowtheyseetheworldandhowtheyrelatetoothers.ZiyinZhengintheroleofAngraciouslyembodiesamixofidiosyncrasyandfranknessthatmakesthemanidealconfidanteforStar(SarahWalker).TheyhavewhatittakestobeonthereceivingendofthescrutinisinggazeofStar,whoseesthroughconventionsandneverceasestobeamazedatlife’sbewilderingevents.Veeringonslapstick,Walker’sperformancewillnotgounnoticed.
李宜希
回复 林郁文 :减法受产前抑郁困扰的法莎娜从雾雨车窗外望，瞥见丈夫贾拉身影进入高级公寓，怀疑他有外遇，贾拉却言之凿凿当天不在德黑兰。查探之下，竟发现另一对夫妇，相貌与他们雷同，俨如是彼此分身。对镜互照，看出自己的不足，也看出伴侣的缺陷，单纯的偶遇演变成纠结四角关系。掩映在暗黑光影下是希区柯克式悬疑惊栗，渗透于滂沱大雨中却是曼尼·夏希希对伊朗式婚姻、道德以至人性矛盾的深沉体悟；在神权政体下，人必须自我分裂甚至自我毁灭，方能让“我”活下去？
