吕秀美
回复 蔡原秀 :成人生活技能Anna is stuck: she's approaching 30, living like a hermit in her mum's garden shed and wondering why the suffragettes ever bothered. She spends her days making videos using her thumbs as actors - thumbs that bicker about things like whether Yogi Bear is a moral or existential nihilist. But Anna doesn't show these videos to anyone and no one knows what they are for. A week before her birthday her Mum serves her an ultimatum - she needs to move out of the shed, get a haircut that doesn't put her gender in question and stop dressing like a homeless teenager. Naturally, Anna tells her Mum to "back the f-off". However, when her school friend comes to visit, Anna's self-imposed isolation becomes impossible to maintain. Soon she is entangled with a troubled eight year old boy obsessed with Westerns, and the local estate agent whose awkward interpersonal skills continually undermine his attempts to seduce her.
傅馨仪
回复 黄嘉慧 :枕边杀机黛西（德鲁·巴里摩尔）在分娩时遇到一名妇女。 素描画家杰克·惠特菲尔德（Jeff Fahey）帮助雏菊恢复了被怀疑杀死汤米·西尔斯（Tommy Silvers）的女人的脸。 看到与妻子雷安（Sean Young）的相似之处，他感到震惊。 他先把照片换成Tonelli中尉。 他的婚姻压力很大，他想知道她的身边是否有东西。 当他的假草图导致嫌疑人时，他开始自行调查。 他再次震惊地发现Rayanne正在为Silvers工作。这需要更多的强度。 以警察素描画家为中心的惊悚片的想法很有趣。 电影很好地设置了它。 它需要更多的巴里摩尔作为遇险的少女。 当Fahey留给他自己的设备时，电影变得平淡无奇。 前提可能不错，但在这部不刺激的惊悚片中，这是一条缓慢而缓慢的下坡路。
