蔡孟琬
回复 林佑瑜 :迷幻人生施罗德曾说，“迷幻人生”是一部关于男性孤独者的三部曲中的最后一幕，另两部是出租车司机和美国舞男。作为施罗德最紧张和最有效的剧本之一，“迷幻人生”讲述了纽约市一名毒贩与中年危机作斗争并被陷害进毒品有关的谋杀案的故事。Schrader回到曼哈顿的那些简陋的街道上，是一种明显的忧郁，弥漫着一种悔恨和渴望的气氛，这给它所有的人物都增添了微妙的色彩。威廉达福提供了一个令人痛苦和强大的表演，展现毒贩的动人斗争，重新组合他的生活，并与失去的爱重新联系。
李宏火
回复 廖佳琪 :成人生活技能Anna is stuck: she's approaching 30, living like a hermit in her mum's garden shed and wondering why the suffragettes ever bothered. She spends her days making videos using her thumbs as actors - thumbs that bicker about things like whether Yogi Bear is a moral or existential nihilist. But Anna doesn't show these videos to anyone and no one knows what they are for. A week before her birthday her Mum serves her an ultimatum - she needs to move out of the shed, get a haircut that doesn't put her gender in question and stop dressing like a homeless teenager. Naturally, Anna tells her Mum to "back the f-off". However, when her school friend comes to visit, Anna's self-imposed isolation becomes impossible to maintain. Soon she is entangled with a troubled eight year old boy obsessed with Westerns, and the local estate agent whose awkward interpersonal skills continually undermine his attempts to seduce her.
