朱子翔
回复 王亭祥 :失物招领Marioworksinalargewarehouseoflostobjectswherehekeepsallkindsofbelongingsallkindsofbelongingsaccumulatedoverthedecades.Mario,whohasMario,whohaslongsincedecidedtodistancehimselffrompeople,spendshissparetimeinvestigatingtheinvestigatingtheprovenanceofobjectsinordertoreturnlostpiecesoftheirlivestotheirowners.lostpiecesoftheirlivestotheirowners.OnlyHelena,ayoungpolicewomanwhothewarehouse,hasbeenabletobreakthroughhisarmour.armour.Onedayasuitcaserescuedfromthebottomoftheriverarrivesatthewarehouse.Inside,shefindsshefindsbabyclothesnexttosomehumanremains.MariodecidestoMariodecidestoinvestigateonhisownandfollowingthetrailofthesuitcasehecomesacrossSara,ayoungwomantrappedsinceshewasachildinahumantraffickingorganisation.traffickingorganisation.Anetworkthattreatspeopleasiftheywereobjects.
苏承松
回复 邱天月 :自行车叹息傳說中園子溫的疾走電影，虛渡青春的成長曲。廿歲大學生Shiro和Keita靠派報紙維生，遲了三年仍未能順利畢業。Shiro一心只求拍電影，Keita開始對未來焦躁起來。首次自導自演的園子溫，扮演浪人Shiro大多是自身投射，抱著自我尋找的旗幟，在PIA打響名堂，再馳騁柏林和歐亞大小影展，打造出園子溫電影的新風格。（HKAFF09）
