张家宁
回复 许志霖 :纸人头1996年的《紙人頭》哈那克又回到了《322》時記錄與虛構並置的路線。導演從大批過去未曾展示過的檔案影像之中，回憶並重溯了從二次大戰到89年絲絨革命的這段歷史，除了運用民眾在5月1日的共黨大節裡，以紙製人頭偶來揶揄政治人物的行動偶劇為創意，重新安排以紙人頭在成批的歷史影像串流中穿插出現，重構一齣政治寓言。導演並反身自涉了70年代的個人經驗回顧，企圖為這個被世界遺忘與湮滅的區域撢去塵埃。影片中大批出自不同年代不知名拍攝者之手的檔案影像，包含了官方的節慶宣傳，民間的反彈行動、秘密警察大肆街頭逮捕等等，不同鏡頭的視角、時間、觀點在導演手中統籌、架構成一套哈那克的敘事言說。除了回溯近代史之外，導演在創作處理涉及的層面與手法，讓影像的鏡頭、觀點、政治意識型態的支配以及作者本身意志與自覺之間多層次辯證，又多了更往前推進一步的例子。這對當前劇情片回漲無期，而紀錄片當紅的台灣，有心思索下一步的影像創作者來說，杜桑‧哈那克應該是深具啟發性的。
刘美玲
回复 韩以桦 :敲敲门Evan Weber (Keanu Reeves), a well-known architect, has a successful career and a happy life. He lives in a villa designed by himself in Los Angeles. His wife Karen (Ignacia allamand) is beautiful, and his children Jack (Dan Baily) and Lisa (Megan Baily) are cute. One holiday, Karen drove her children on holiday, leaving Evan to work at home alone. On the pouring night, Elvin suddenly heard a knock at the door. The newcomers are the girls bell (ANA de Armas) and Ginis (lorenza IZZO), who are drenched in water. They lose their way and ask Evan for help. The two girls are like considerate and seductive goblins, which makes Evan more or less unable to control. There is a knife at the beginning of color. There is no food and cheap food in the world.
